The Improv Character Voices Scorecard
Do all your improv characters still sound like… you?
Take the 5-minute assessment to learn to create distinct, repeatable, sustainable character voices in improv.
Instant results + tailored report direct to your inbox.
How it Works
By answering 20 quick yes/no questions across five pillars of character voices for improv
You’ll learn…
- Range – Do your characters actually sound different?
- Control – Can you access vocal choices on purpose, fast?
- Consistency – Can you hold a voice through a whole scene?
- Generating New Voices – Do you have a repeatable process?
- Sustainability – Can you play big without hurting your voice?
At the end, you’ll get a report that gives you an overall score plus breakdown across the five Character Voice pillars — so you can see exactly where you’re strong and where you can still develop.
Clear, practical next steps based on your answers. No fluff. Just what to focus on first to unlock Unlimited Playful Character Voices.
Understand why your character voices drift, freeze under pressure, or all collapse back into “neutral you” during scenes — and what fixes that.
Ready to see your score?
Find out how close you are to Unlimited Playful Character Voices — and what to fix first.
Start the Scorecard — Free. Less than 5 Minutes. Instant Results.
About the creator
Alex Owen-Hill is a professional voice coach, improviser, and researcher.
Trained at École Philippe Gaulier, certified in Accent & Dialect Coaching, Gender-Affirming Voice Work, Coaching Emotional Vocal Expression, and Estill Voice Training (Levels 1 & 2).
Currently undertaking an MA in Voice focused on researching neurodivergent voices and authenticity.
This scorecard benchmarks you against the Character Voice Lab Process — a proven framework for building playful, repeatable, sustainable character voices.
Reviews
what others say
“I wanted to refine what I could do in improv performances - use my voice more like a scalpel than a sledgehammer. I came not really knowing what to expect, but I learnt a lot of new techniques to achieve different vocal effects and it was thoroughly worthwhile.”
— Terry, Improviser
“It’s a great way to get in touch with the voice and find out what you can do with it. Explore some possibilities that haven’t occurred to you before. ”
— Tom, Storyteller
“It helped me to understand how creating a new voice is based on the different parts of our body. Also how to access those voices really quick by doing different techniques that I find really useful.”
— David, Actor


